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		<title>Latin American Cinema bibliography (since 1990)</title>
		<link>http://transnationalaesthetics.wordpress.com/2010/02/14/latin-american-cinema-bibliography-since-1990/</link>
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		<pubDate>Mon, 15 Feb 2010 00:59:02 +0000</pubDate>
		<dc:creator>michael</dc:creator>
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		<description><![CDATA[After taking a comprehensive exam on the history of Latin American cinema based upon a woefully outdated bibliography, I put this together with the intention of helping future generations.  It&#8217;s also been useful to me in prepping the literature review of recent work on Latin American cinema for my dissertation.  Basically I&#8217;m posting this to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=transnationalaesthetics.wordpress.com&amp;blog=2696525&amp;post=27&amp;subd=transnationalaesthetics&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>After taking a comprehensive exam on the history of Latin American cinema based upon a woefully outdated bibliography, I put this together with the intention of helping future generations.  It&#8217;s also been useful to me in prepping the literature review of recent work on Latin American cinema for my dissertation.  Basically I&#8217;m posting this to help others, and to solicit any suggestions for addition.</p>
<p>Aguilar, Gonzalo, <em>Other Worlds: New Argentine Cinema</em>. New York: Palgrave MacMillan, 2008.</p>
<p>Aufderheide, Patricia, “Cinema (From the Silent Film to 1990),” <em>Encyclopedia of Latin American History &amp; Culture</em>, 2nd Edition, 2008, p. 413-9.</p>
<p>Barnard, Timothy and Peter Rist, (eds.), <em>South American Cinema: A Critical Filmography</em>, <em>1915-1994</em>. New York: Garland Pub., 1996.</p>
<p>Benamou, Catherine, &#8220;Cuban Cinema,” <em>Redirecting the Gaze : Gender, Theory, and Cinema in the Third World</em>, Diana Robin and Ira Jaffe, (eds.). Albany: State University of New York Press, 1999.</p>
<p>Bernades, Horacio, Diego Lerer and Sergio Wolf (eds.), <em>New Argentine Cinema. Themes, Auteurs and Trends of Innovation</em>. Fipresci / Tatanka, 2002.</p>
<p>Berg, Charles Ramirez, <em>Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983</em>. Austin: University of Texas Press, 1992.</p>
<p>Bernini, Emilio. “Politics and the Documentary Film in Argentina During the 1960s,” <em>Journal of Latin American Cultural Studies</em> 13.2, August 2004, p. 155-170.</p>
<p>Buchsbaum, Jonathan, “A Closer Look at Third Cinema,” <em>Historical Journal of Film, Radio and Television, </em>June 2001, v. 12, no. 2., June 2001.</p>
<p>Buchsbaum, Jonathan. <em>Cinema and the</em> <em>Sandinistas</em>. Austin: University of Texas Press, 2003.</p>
<p>Burton-Carvajal, Julianne, “South American cinema,” in <em>World Cinema, Critical Approaches</em>, John Hill, Pamela Church Gibson, Richard Dyer, E. Ann Kaplan and Paul Willemen (eds.). Oxford University Press, 2000.</p>
<p>Burucúa, Constanza, <em>Confronting the ‘Dirty War’ in Argentina Cinema, 1983-1993: Memory and Gender in Historical Representations</em>. Tamesis, 2009.</p>
<p>Chanan, Michael, &#8220;The Changing Geography of Third Cinema,” in <em>Screen</em> 38.4, 1997.</p>
<p>Chanan, Michael, “Cinema in Latin America,” in <em>The Oxford History of World Cinema</em>, Geoffrey Nowell-Smith (ed.). Oxford University Press, 1999.</p>
<p>Chanan, Michael, <em>Cuban Cinema</em>. University of Minnesota Press, 2004.</p>
<p>Chanan, Michael, “Latin American cinema: from underdevelopment to postmodernism,” in <em>Remapping World Cinema: Identity, Culture and Politics in Film</em>, Stephanie Dennison and Song Hwee Lim (eds.). Wallflower Press, 2006.</p>
<p>Dennison, Stephanie, “The new Brazilian Bombshell: Sônia Braga, race and cinema in the 1970s,” in <em>Remapping World Cinema: Identity, Culture and Politics in Film</em>, Stephanie Dennison and Song Hwee Lim (eds.). Wallflower Press, 2006.</p>
<p>Dennison, Stephanie, <em>Popular Cinema in Brazil: 1930-2001</em>. Manchester University Press, 2004.</p>
<p>D’Lugo, Marvin, “Across the Hispanic Atlantic: Cinema and Its Symbolic Relocations,” <em>Studies in Hispanic Cinemas</em>, Vol. 5, Nos. 1 &amp; 2, July 2009.</p>
<p>D’Lugo, Marvin, “Transnational Film Authors and the State of Latin American Cinema,” <em>Film and Authorship</em>, Virginia Wright Wexman (ed.). New Brunswick, NJ: Rutgers University Press, 2003, p. 112-130.</p>
<p>Ehrick, Christine, “Beneficent Cinema: State Formation, Elite Reproduction and Silent Film in Uruguay, 1910s-1920s,” <em>The Americas</em>, Vol. 63, No. 2, Latin American Film History (Oct., 2006).</p>
<p>Elena, Alberto and Marina Díaz López (eds.), <em>The Cinema of Latin America</em>. Wallflower Press, London, 2003.</p>
<p>Falicov, Tamara L., <em>The Cinematic Tango: Contemporary Argentine Film</em>. London: Wallflower Press, 2007.</p>
<p>Falicov, Tamara, “Cinema (Since 1990),” <em>Encyclopedia of Latin American History &amp; Culture</em>, 2nd Edition, 2008, p. 419-23.</p>
<p>Finkielman, Jorge, <em>The Film Industry in Argentina: An Illustrated Cultural History</em>. McFarland &amp; Company, 2003.</p>
<p>Foster, David William. <em>Contemporary Argentine Cinema</em>. Columbia: University of Missouri Press, 1992.</p>
<p>Gibbs, Virginia, “Latin American Film,” <em>Latin American Research Review </em>27, 3, 1992, p. 203-215.</p>
<p>Guneratne, Anthony and Wimal Dissanayake (eds.), <em>Rethinking Third Cinema.</em> Routledge, 2003.</p>
<p>Haddu, Miriam, <em>Contemporary Mexican Cinema, 1989-1999: History, Space, and Identity</em>. Lewiston: E. Mellen Press, 2007.</p>
<p>Hart, Stephen, <em>A Companion to Latin American Film</em>. Tamesis, 2004.</p>
<p>Higginbotham, Virginia, “Fast frames: Insights into Mexican, Latin American, and Brazilian Cinema,” <em>Latin American</em> <em>Research Review </em>40, 3, October 2005, p. 273-82.</p>
<p>Himpele, Jeff D., <em>Circuits of Culture: Media, Politics and Indigenous Identity in the Andes</em>. University of Minnesota Press, 2007.</p>
<p>Johnson, Randal and Robert Stam (eds.), <em>Brazilian Cinema: Expanded Edition</em>. New York: Columbia University Press, 1995.</p>
<p>Johnson, Randal, “Post-<em>Cinema Novo</em> Brazilian Cinema,” in <em>Traditions in World Cinema</em>, Steven Jay Schneider, Linda Badley and R. Barton Palmer (eds.). Rutgers University Press, 2006.</p>
<p>King, John.  <em>Magical Reels: A History of Cinemas in Latin America</em>.  London: Verso, 1990.</p>
<p>King, John, Ana M. López, and Manuel Alvarado, eds.  <em>Mediating Two Worlds: Cinematic Encounters in the Americas</em>. London: BFI Publishing, 1993.</p>
<p>King, John, Sheila Witaker and Rosa Bosch (eds.), <em>An Argentine Passion: Maria Luisa Bemberg and Her Films</em>, London: Verso, 2000.</p>
<p>Konstantarakos, Myrto, “New Argentine Cinema,” in <em>Traditions in World Cinema</em>, Steven Jay Schneider, Linda Badley and R. Barton Palmer (eds.). Rutgers University Press, 2006.</p>
<p>Lerner, Jesse, “Superocheros.” <em>Wide Angle</em> 21.3, June 1999, p. 2-35.</p>
<p>Lopez, Ana M., “Early Cinema and Modernity in Latin America,” <em>Cinema Journal</em>, Vol. 4, No. 1, 2000, p. 48-78.</p>
<p>Lopez, Ana M., “Are All Latins From Manhattan? Hollywood, Ethnography and Cultural Colonialism,” in <em>Film and Nationalism</em>, Alan Williams (ed.). Rutgers University Press, 2002.</p>
<p><strong> </strong></p>
<p>López, Ana M., “The State of Things: New Directions in Latin American Film History”, <em>The Americas. A Quarterly Review of Inter-American Cultural History</em>, Vol. 63, No. 2, October 2006.</p>
<p>Martin, Michael T. (ed.), <em>New Latin American Cinema, Vol. One: Theory, Practices and Transcontinental Articulations</em>. Detroit: Wayne State University Press, 1997.</p>
<p><strong> </strong></p>
<p>Martin, Michael T. (ed.), <em>New Latin American Cinema, Vol. Two: Studies of National Cinemas</em>. Detroit: Wayne State University Press, 1997.</p>
<p>Middents, Jeffrey, <em>Writing National Cinema: Film Journals and Film Culture in Peru</em>. Darmouth, 2009.</p>
<p>Mora, Carl J., <em>Mexican Cinema: Reflections of a Society, 1896 to 2004</em>. McFarland &amp; Company, 2005.</p>
<p>Muir, Stephanie, <em>Studying “City of God”</em>. Auteur Publishing, 2008.</p>
<p>Naficy, Hamid, <em>An Accented Cinema: Exilic and Diasporic Filmmaking</em>. Princeton, 2001.</p>
<p>Nagib, Lucia, (ed.), <em>The New Brazilian Cinema</em>, I.B. Tauris, 2003.</p>
<p>Nagib, Lúcia, <em>Brazil On Screen: Cinema Novo, New Cinema, Utopia, </em>I.B. Tauris, 2007.</p>
<p>Newman, Kathleen, “Cultural Redemocratization: Argentina, 1978–89,” <em>On Edge: The Crisis of Contemporary Latin American Culture</em>, George Yúdice, Jean Franco, and Juan Flores (eds.), Minneapolis: University of Minnesota Press, 1992, p. 161–186.</p>
<p>Noble, Andrea, <em>Mexican National Cinema</em>. Routledge, 2005.</p>
<p>Noriega, Chon A. and Ana M. López (eds.) <em>The Ethnic Eye: Latino Media Arts</em>. Minneapolis: University of Minnesota Press, 1996.</p>
<p>Page, Joanna, <em>Crisis and Capitalism in Contemporary Argentine Cinema. </em>Durham, NC: Duke University Press, 2009.</p>
<p>Paranaguá, Paulo Antonio (ed.), <em>Mexican Cinema</em>. London: British Film Institute, 1995.</p>
<p>Paranaguá, Paulo Antonio, <em>Tradición y modernidad en el cine de América Latina</em>. Madrid: Fondo de Cultura Económica de España, 2003.</p>
<p>Peña, Fernando Martín (ed.), <em>Generaciones 60/90: Cine argentino independiente</em>. Buenos Aires: Fundacion Eduardo F. Constantini, 2003.</p>
<p>Pick, Zuzana M. <em>The New Latin American Cinema: A Continental Project</em>. Austin: University of Texas Press, 1993.</p>
<p>Pines, Jim and Paul Willemen (eds.), <em>Questions of Third Cinema</em>. London: British Film Institute, 1990.</p>
<p>Podalsky, Laura, &#8220;Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960.&#8221; <em>Nuevo Texto Crítico</em>, 11:21-22, Jan-Dec 1998, p. 77-92.</p>
<p>Rich, B. Ruby, &#8220;An/Other View of New Latin American Cinema,” <em>Feminism in the Cinema</em>, Laura Pietropaolo and Ada Testaferri (eds.). Bloomington: Indiana University Press, 1995, p. 168-92.</p>
<p>Russo, Eduardo A., <em>Hacer Cine: Produccion Audiovisual En American Latina</em>.<em> </em>Fundacion Typa, 2008.</p>
<p>Sadlier, Darlene J., <em>Nelson Pereira dos Santos</em>. University of Illinois Press, 2003.</p>
<p>Sanchez, Jose, <em>The Art and Politics of Bolivian Cinema</em>. Scarecrow Press, 1999.</p>
<p>Schwartz, Ronald.  <em>Latin American Films, 1932-1994: A Critical Filmography</em>. Jefferson, N.C.: McFarland &amp; Co., 1997.</p>
<p>Shaw, Deborah (ed.) <em>Contemporary Latin American Cinema: Breaking into the Global Market</em>. Lanham: Rowman &amp; Littlefield, 2007.</p>
<p>Shaw, Deborah, <em>Contemporary Latin American Cinema: 10 Key Films</em>. Continuum International Publishing Group, 2003.</p>
<p>Shaw, Lisa and Stephanie Dennison (eds.), <em>Latin American Cinema: Essays on Modernity, Gender and National Identity</em>. McFarland &amp; Company, 2005.</p>
<p>Shaw, Lisa, <em>Brazilian National Cinema</em>. Routledge, 2007.</p>
<p>Shohat, Ella and Robert Stam, <em>Unthking Eurocentrism: Multiculturalism and the Media</em>. London: Routledge, 1994.</p>
<p>Smith, P.J., “Transatlantic Traffic in Recent Mexican Films,” <em>Journal o f Latin American Cultural Studies</em>, Vol. 12, No. 3, 2003, p. 389–400.</p>
<p>Smith, Paul Julian, <em>Amores perros</em>. London:<em> </em>BFI Modern Classics, 2003.</p>
<p>Stam, Robert. <em>Tropical Multiculturalism: A comparative history of race in Brazilian cinema and culture</em>. Durham N.C., London: Duke University Press, 1997.</p>
<p>Stephen, Donald F. (ed.), <em>Based on a True Story: Latin American History at the Movies</em>. Wilmington: SR Books, 1997.</p>
<p>Stock, Ann Marie (ed.), <em>Framing Latin American Cinema: Contemporary Critical Perspectives</em>. Minneapolis: University of Minnesota Press, 1997.</p>
<p>Stock, Ann Marie, “Migrancy and the Latin American Cinemascape: Towards a Post-National Critical Praxis,” in <em>Transnational Cinema: The Film Reader</em>, Elizabeth Ezra and Terry Rowden (eds.). Routledge, 2006.</p>
<p>Stock, Ann-Marie, <em>On Location in Cuba: Street Filmmaking during Times of Transition</em>. Chapel Hill, NC: University of North Carolina Press, 2009.</p>
<p>Tierney, Dolores, <em>Emilio Fernández: Pictures in</em> <em>the Margins, </em>Manchester and New York: Manchester University Press, 2008.</p>
<p>Tierney, Dolores and Victoria Ruétalo, eds., <em>Latsploitation: Latin American Exploitation, Trash and Cult Cinema</em>.<em> </em>New York: Routledge, 2009.</p>
<p>Vieira, Else, <em>‘City of God’ in Several Voices:</em> <em>Brazilian Social Cinema as Action</em>, Critical, Cultural and Communications Press, London, 2005.</p>
<p>Villazan, Libia, “Hegemony Conditions in the Coproduction Cinema of Latin America: The Role of Spain,” <em>Framework: The Journal of Cinema and Media</em>, Vol. 49, No. 2, Fall 2008, p. 65-85.</p>
<p>Wayne, Mike, <em>Political Film: The Dialectics of Third Cinema</em>. London: Pluto Press, 2001.</p>
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